I am particularly drawn to images where the presence of people, the mark they make on the ...
Audrey is a self taught artist based in Dublin and has been drawing since she was a child....
Her practice centres primarily in oil on canvas, with occasional works in egg tempera on b...
The Irish landscape is a wonderful source of inspiration, as well as Wales, the Lake Distr...
from Shankill Co Dublin. A self taught Artist, who has worked at Screenprinting....
specializing in painting and graphic arts, and a writer, born in Germany with Irish and Tu...
a national prize-winning artist from Ireland whose forte includes equine art, landscape an...
A member of Dublin Painting and Sketchers Club, Malahide resident Marie Fallon focuses on ...
I was born in Dublin and have been drawing on and off for many years most of these drawing...
My Father's family is originally from Templeboy, Sligo, and Galway....
I paint mostly landscapes, some seascapes and things which catch my attention as subjects....
Specialist in Collage, Sketchbook and Art Therapy...
This selection of still life paintings by Irish visual artists features a diverse arr...
Portraiture captures the likeness, personality, and mood of an individual or group. A...
Many paintings depict iconic locations such as the Cliffs of Moher, the Ring of Kerry...
We might wonder at times, What if? What if the project could grow and grow and continue with an honest and free approach to reflecting what visual art is being created in and about Ireland?
It might be impossible to get there in this medium, but, what if there could be a taste, a hint of the artistic endeavours that would invite the viewer to take a closer look, maybe to step inside a local gallery or art exhibition to see that there is an enthusiasm for creativity, an exploration of the possible? And be surprised!
Of course there are a great number of reasons why this medium, and this platform, cannot really show off the artistic talent that abounds, others in the sector being way, way better equipped and resourced for that role. Much visual art needs a space shared physically with the viewer to even begin to communicate its message. But, we make no apolagies for attempting to put a hint at that creativity online, glowing on a screen, somewhat squashed and compromised, to tease out curiousity, the viewer who might see beyond the limitations of this medium, this platform. Every picture in less than half a million pixels. A dim impression, an invitation to get closer and to look, to get a proper feel for the art.
Stuff is happening, artists are working, visitors, from everywhere, are flocking to see the signs that New Irish Art is worth exploring, there is so much to see and enjoy. The project might be seen as a flyer, a simple presentation, with little artistic value in itself [our critics are nothing, if not hostile], but that view, the one that chooses to ignore the ambition and skill of the artists, the view that chooses to dismiss the audience, is missing the point; completely! Maybe those critics should focus a little on the upside of audience growth, however it emerges.
The freedom to have your artwork presented, without fuss, without undergoing judgment or experiencing bias, is part of what the project aims at, some goals are heavily restricted by lack of resources and that also causes a tightening of scope. The project has already overcome boundaries imposed by resource shortage and scopeshrink [ok, I made that word up], more than once or twice [esp when you consider that the New Irish Art project was operational about 5 years before Facebook]. If only, 'what ifs' won't get you or any project from A to B, though reflection is good for resetting the context and redefining the way forward. What if the project is somehow reflecting an aspect of Irish art that should not be reflected, that might be better left unseen?
With the mention of limitations, we never overlook our bottom line, the independent artists who choose to put their work on show, their support for the project, their support and encouragement for emerging artists, for their peers and their recognition of the importance of growing and maintaining an online audience [local and International] of the viewing public (many of whom are only a few steps away from a physical exhibition space), encouraging more of them to come closer, A nudge, in that direction? That is a powerful influence on the project's future and shaper of it's purpose.
You Rock,
Tom Hogarty, A Dreamer
Jakobus Smit
Edna O'Brien Library Gallery, Scarriff, Co. Clare
27th April to 23rd May 2026
10.00 to 17.00
Free admission
Frances Bailey
Clare Museum, Arthur's Row, Ennis, Co. Clare
27th April to 29th May 2026
10.00 to 17.00
Free admission
Gina O'Connor
Culturlann Sweeney Gallery, Kilkee, Co. Clare
25th April to 29th May 2026
10.00 to 17.00
Free admission